hurlingdervish wrote:in a perfect world the truly great music rises to the top...but nowadays it gets squashed out unless you perform nonstop or are a socialite schmoozer. Im pretty sure that there is the greatest music in the world out there somewhere, that we will never hear because they either don't feel like sharing, or don't have the social skills to slut themselves out.
Aphex twin created a secret moniker to see if he could get famous twice "The Tuss" is actually him . Although it somewhat worked, it still didn't reach the status of Aphex Twin, because people would largely think that it was just an aphex twin rip-off
There's nothing really in place for electronic music besides DJ bullshit. right now they are the "middle men" make or breaking a lot of music and to quote DeadMau5 "i hope they go the way of the fucking dinosaur". And if its not DJ bullshit its rock clubs that would sooner close down before letting an ableton live set be performed, at least here in the new england/boston area.
but then again you have the Wu-tangs and Animal collectives that came up with a group of people instead of trying to make it on their own, but even animal collective came up in the conventional rock band manner before getting their solo stuff noticed
Maybe you should move to Portland. There's a lot of different cities with different musical cultures in the US. I think if you're doing experimental electronic music and want to make it, you basically need to live in LA, the Northwest, Brooklyn, Detroit, or overseas in London or Berlin. But unfortunately even some of the guys that are doing really crazy stuff aren't really "making it" persay. They maybe have enough money to pay rent and tour, but they don't have any real net worth or whatever. Anyways.
On Animal Collective, it is really interesting - they become more pop oriented, and from that became way more popular, and are truly "making it." At the same time, I think a lot of people in the underground music industry (including them) have money backing them from trust funds or parents. I've noticed that a lot of really great music that is experimental or out there is made or funded by upper middle class or wealthy kids who sort of slum it. So make friends with cool rich kids! That's a good thing about LA - a lot of the kids that are into the underground music there have a lot of money, but you can never really tell until they take you to their parent's mansion.
It's hard to move and whatnot though, and making it in anything nowadays is difficult.