First I sample everything into the MS-1 so everything can be pitched up and down as required, then into the 303. I'll sometimes use MFX13 EQ on the way into the 303.asha c wrote:MIIT: your production is always clean and crisp! Could you share a few tips as to how you process the samples?
I don't often resample with effects. Sometimes a bit of reverb, sometimes delay - both mostly to extend or smooth out sudden chop ends, coz neither effect is all that on the 303.
If I use time stretch on a non-drums sample, obvs it ends up with a load of click-shit over it straight away, so I have to try and hide that with a couple of passes through the filter and/or maybe some panning.
Fake time stretch - If I want to extend a chord or something to fit the tempo of the song coz it ends too soon, I'll resample it to another pad, reverse it and then resample the two to a third pad, playing one after the other with gate to the Korg metronome clicking the pattern tempo, to hopefully make a continuous sound. I use that on most beats.
Fake ADSR - Using MFX20 Voice Transformer but by turning the effect off, the Ctrl 3 knob can be used as a volume during resampling. That's how I get fade ins/outs on samples or soften the attack of a sound.
Once I have the song sequenced, I put all sample volumes down to 50 and then raise or lower them relative to eachother to 'mix', then I play the whole thing through MFX13 EQ for a bit of 'rounding off', into the Boss Micro BR, bouncing that internally through its 'mastering tool kit' limiter for some volume, rendering it as a WAV and then transfering it via USB to t'pooter. Then I put it into Audacity to snip out any pattern swap farts and export again as a WAV.
Basically - KISS..."Keep It Simple Stoopid". I don't worry so much about effects and sounds and mucking about. Getting the samples in tune is half the battle; then it's just a case of bashing them into an effective arrangement.
So say brother Nathan.