i agree it is supe sick! illustrator? photoshop? can you give a basic run down of your process and how you did that drawing?? i wanna do more digitally and have trouble making things look organic my stuff is all real rigid.
It's not digital, just pen and paper. The original drawing is only 22x 10cm. I did it with a bunch of old plotter pens (like the ones that used to go into machine plotters) that I refilled with india ink. Got them from a secondhand shop around the corner, I bought one box for a euro and the next day went back and they gave me the rest of them for free.
The shading, other than the ink lines, was done in photoshop though, one layer of greytones set to "linear burn" (blending mode of the layer, at the top of the layers pallette). I was actually planning to color it fully, but i decided I like it better minimalistic. There was also a head on top of the body, but I didn't like that, so i cropped it to the bare essence.
@ tim: i agree, i dislike most fully digital stuff too, so I try to do most on paper, it just adds a lot of texture and naturalness that you will never get from software. But I always take it into photoshop after scanning to do different stuff to it, change levels, colors and so on. I'm not so into illustrator for the same reason, too clinical.
just what i needed to know and kinda what i thought you did... some of the lines look like stuff i have had happen on accident in illustrator so i wasnt sure... looks cool man... thanks for the walk through
love the direction this is at. what medium? i have mad respect for anyone who has looseness to their work. i am confined by my rigid hard lines so when someone gets organic i love it. id like to see it finished before i say much ya know?
i like that print stuff you have going on in the background. the layering is nice. any explanation behind it? or do you just work it up to a point where you just cook till done and serve?
just something ive been doing... pics don't do it justice. I've been chopping up my old drawings/photos and whatever else i have and layering them, sanding with an electric sander and re layering and adding new stuff as it progresses. circles and collage come from a heavy chuck holtzman influence after i met him and saw his work. been drilling out stuff on some thicker pieces... sometimes i have a design plan and sometimes i just go at it and work off what im doing in real time. ive started getting into the idea of representational architecture, that's what these thick lines are trying to achieve.... architecture as authority, architecture as director of movement, etc. trying to mash up all my idea's into something cohesive and its really tough gettin' there though