Andrew P wrote:the cool thing about the SPs is that you can just jam and let things play out in weird ways, and then you find out what sounds good. It's by ear and hands, you know what I mean? I wouldn't want to have to read through the MPCs lists and deal with time delays and whatnot. Not knocking the MPC, but if you want to make psych stuff or tap out beats live, improvise, whatever, I think the Roland stuff sounds like it works out better. If the way you work is with a preplanned sound and beat in mind, and you like to sit and "work," it seems like the MPC is the way to go.
i like how u put it...