hard limiter
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balazs
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hard limiter
lately i been messing with the hard limiter in audacity. I was wondering what hard limiter was. Is it just a setting or a special type of limiter? i been thinking about buying hardware limiter.
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tape smoke
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tape smoke
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- Euclid Ov Oåklånd
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i agree w/ Euclid. i try to mix match but usually i eq compress then if needed hit it w/ a maximizer. im usong protools w/ waves pirate software but i got into reaper lately and the same shyt goes.
if u can try eq or compress b4 u rec on like an aux channel. if ur tracking out your sounds it ez to "add/cut" the things out like some voices that made it thru filtered bass.
search for a free multi band comp/limiter vst. i 4get who has some dope ones but thats becoming the move to make
if u can try eq or compress b4 u rec on like an aux channel. if ur tracking out your sounds it ez to "add/cut" the things out like some voices that made it thru filtered bass.
search for a free multi band comp/limiter vst. i 4get who has some dope ones but thats becoming the move to make
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tape smoke
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when i eq some frequencies bleed . so i hard limit . zero boost , .-5 db limit.
all it does is stop it from bleeding.
yea you can hard limit then eq, then you should hard limit again with no boost, just so nothing bleeds.
eq before hard limiting has a diferent sound.
both ways work, i get really good results with the cool edit hard limiter.
try juicing up your highs, then hard limit. gives a raw boom box sound
all it does is stop it from bleeding.
yea you can hard limit then eq, then you should hard limit again with no boost, just so nothing bleeds.
eq before hard limiting has a diferent sound.
both ways work, i get really good results with the cool edit hard limiter.
try juicing up your highs, then hard limit. gives a raw boom box sound
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tape smoke
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are you guys using the hard limiter on the final track, ie all channels recorded as one?
i'm wondering if perhaps it might be more useful to apply compression/mastering effects onto only the channels which need it (drums, bass)...of course this requires tracking out those separate channels
to the folk above who mentioned they're using VSTs :
do you use the VST as a master effect, or only apply to the necessary tracks?
i remember 606man mentioning that a visual spectrum analyser was always helpful for this, so the eye can help understand what's happening to the audio when the ear is still untrained to recognise the changes
sidenote: where are you 606man? come back!
i'm wondering if perhaps it might be more useful to apply compression/mastering effects onto only the channels which need it (drums, bass)...of course this requires tracking out those separate channels
to the folk above who mentioned they're using VSTs :
do you use the VST as a master effect, or only apply to the necessary tracks?
i remember 606man mentioning that a visual spectrum analyser was always helpful for this, so the eye can help understand what's happening to the audio when the ear is still untrained to recognise the changes
sidenote: where are you 606man? come back!

