idiots guide to tracking beats?
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idiots guide to tracking beats?
so i just got an audio interface to run into my notebook..i also got a copy of acid pro 7.0.I've never had the opportunity to track/mix my beats myself,or done any work at all on a computer,so this is completely new to me..
i know this has got to be pretty simple-but there doesnt seem to be a countoff or anything when you record a track,it just starts recording immediately when you press record--im planning on tracking my beats on 3 tracks-drums on one,samples on another,& bass on the 3rd(let me know if thats not a good way)-by just playing my sequences all the way through on the sp with each part isolated--so how do i get em all to match & line up?
i guess a more simple question would be to ask if anyone can just go through the best process for doing all this.it would really be appreciated,i'm really anxious to finally get my beats sounding exactly how they need to.thanks..peace
i know this has got to be pretty simple-but there doesnt seem to be a countoff or anything when you record a track,it just starts recording immediately when you press record--im planning on tracking my beats on 3 tracks-drums on one,samples on another,& bass on the 3rd(let me know if thats not a good way)-by just playing my sequences all the way through on the sp with each part isolated--so how do i get em all to match & line up?
i guess a more simple question would be to ask if anyone can just go through the best process for doing all this.it would really be appreciated,i'm really anxious to finally get my beats sounding exactly how they need to.thanks..peace
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hey bro - i can't recall if acid has a metronome function. if so, turn that on and it will give you a click to play over. if not, track yr drums first, add stuff on top, then mute or delete the drum sections you don't want (ie: if you want the piece to start w/ just bass).
alternately, i guess you could record a track of clicks (hi hats?) out of the sp- into acid, then use that as a ghost track to record over.
trial and error is your (frustrating) friend in this.
bon chance.
alternately, i guess you could record a track of clicks (hi hats?) out of the sp- into acid, then use that as a ghost track to record over.
trial and error is your (frustrating) friend in this.
bon chance.
yea it has a metronome..but i'm not actually laying anything down in acid,i'm just trying to record my sequences from the sp one track at a time...all i can think of doing is pressing record & waiting till its a bar in,then start the sp..then cut out the first bar, and if they're not lined up perfectly,make some minor adjustments.but i'm sure there gotta be a more precise way in tracking with software..?i got audacity too...seems to be pretty much the same though.thanks
while cia plays hide & seek with our lives I've come to try & teach/Iron Fist tiger grip,knuckles white,tight Zion Sun spiked leash "
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Just record a countoff of 4 or 8 beats-- use a Bass Kick or something-- then start the actual SP stuff. After you're done with the recording you can delete/mute the countoff altogether.
Also you can set the BPM of Acid's "grid". That way when you record, the lines on the screen should match up to the measures of music, which makes it a lot easier to edit.
Also you can set the BPM of Acid's "grid". That way when you record, the lines on the screen should match up to the measures of music, which makes it a lot easier to edit.
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just woke up after being up all night fucking with this stuff,lol..but thanks for the replys..yea,i kinda had to go a little cheaper than expected -all this interface has is rca ins and outs,lol..it works well though-i think i'm just gonna go with turning the metronome on for a count off,and starting the s.p. a bar in..shouldnt be much of a problem at all to get them to line up,at most i would have to adjust something by a milisecond-it actually might give it some extra swing if things werent completely exact.thanks again..beird it out mike!
while cia plays hide & seek with our lives I've come to try & teach/Iron Fist tiger grip,knuckles white,tight Zion Sun spiked leash "
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You can always use the 'bar 1 beat 1' method that oldschoolers have used forever (before midi you HAD to do it this way!). Of course it was done with bits of tape, but remember a DAW is simply a digital representation of tape anyway..
Some would say it's an outdated method, and maybe they're right, but it works well and is really easy to do.
Basically, you record everything from the first beat of the first bar. You do this for EVERY track, even if it has no sound for half the song! This way, when you line up your tracks in a DAW they will all be at the perfect part and in time. You can even record a 'start record' sound at the start of each track, which can be sliced off later, if you have any trouble getting it to work. Once you get the hang of this you'll be able to track anything to anywhere.
A little bit of analogue methodology in an overly digital world
Some would say it's an outdated method, and maybe they're right, but it works well and is really easy to do.
Basically, you record everything from the first beat of the first bar. You do this for EVERY track, even if it has no sound for half the song! This way, when you line up your tracks in a DAW they will all be at the perfect part and in time. You can even record a 'start record' sound at the start of each track, which can be sliced off later, if you have any trouble getting it to work. Once you get the hang of this you'll be able to track anything to anywhere.
A little bit of analogue methodology in an overly digital world
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yea i don't know shit about midi synching,lol-but it doesnt seem to be neccessary-its working well with just turning on the metronome and starting the sp after 4 clicks..everything has been lining up fine,with no adjustments-and i'm usually doing 3 or 4 seperate tracks.but fuck,after i get done tracking these beats i had already made,from now on i gotta start writing down all the sample volumes and everything,its been a pain going back and figuring all that out...and i still can't even figure out how to move shit around on the grid.still,i almost feel like an official producer.thanks for all the help
while cia plays hide & seek with our lives I've come to try & teach/Iron Fist tiger grip,knuckles white,tight Zion Sun spiked leash "
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www.myspace.com/adruthemisphit
www.myspace.com/beird
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www.myspace.com/adruthemisphit
www.myspace.com/beird
oh yea,oolex-i got the acid 7.0 for free from a friend-but it seems to be only a 30 day trial version..i'd really like to continue using it,but i'm not gonna be paying for any software,thats valuable cash that could be spent on records..& 606-i just realized that what you described is basically what i'm doing,i think..i have my beats completely sequenced on the sp,mutes and everything(like 7 or 8 sequences interchanged)and i'm just playing each track all the way through-been doing hats on one,then kicks and snares,then the samples,and last the bass...but is there anyone that can tell me how to move shit around?like on one beat the hats need to be moved up slightly..it has to be mad simple,but i havent wanted to try random things and fuck anything up..
Last edited by adru on Mon Jun 23, 2008 11:50 pm, edited 1 time in total.
while cia plays hide & seek with our lives I've come to try & teach/Iron Fist tiger grip,knuckles white,tight Zion Sun spiked leash "
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www.myspace.com/adruthemisphit
www.myspace.com/beird
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