Lol, yeah.
As for sampling by ear on the SP-606, you obviously use your ears too, however you can see on the screen what you are doing.
I think the 404 and 606 are both awesome machines.
Which SP should I get? I want everyone's opinion!
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- ghost bazz
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Where is the 505 on this pole... ? Personally I just woke up to this one, but I would recommend weighing it in there with the rest.
I have a 555 and love it. The 404 vs 555 question is heavy...
Things I like about the 555 missing on the 404:
16 pads - roll - effect memory - synth (comes thru every now and then) - USB (if you're into that sort of thing) - XLR mic in
The biggest addition by far for me is the loop capture. This provides such a nice work around for only having one track to sequence on... I'm telling you. Using it to resample sequences gives you a looser feel to your timing and also lets you use your effects in some different ways... as in applying them to an entire sequence as opposed to individual samples. Heads who are good on a 404 prolly have their own work around and might say that loop cap aint shit, but I would disagree... fo real.
I think the portability of the 404 is huge... and for a lot of people, that alone would dictate having to pick just one SP.
I have a 555 and love it. The 404 vs 555 question is heavy...
Things I like about the 555 missing on the 404:
16 pads - roll - effect memory - synth (comes thru every now and then) - USB (if you're into that sort of thing) - XLR mic in
The biggest addition by far for me is the loop capture. This provides such a nice work around for only having one track to sequence on... I'm telling you. Using it to resample sequences gives you a looser feel to your timing and also lets you use your effects in some different ways... as in applying them to an entire sequence as opposed to individual samples. Heads who are good on a 404 prolly have their own work around and might say that loop cap aint shit, but I would disagree... fo real.
I think the portability of the 404 is huge... and for a lot of people, that alone would dictate having to pick just one SP.
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Dj Frantic
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Count Sierackula wrote:Where is the 505 on this pole... ? Personally I just woke up to this one, but I would recommend weighing it in there with the rest.
I have a 555 and love it. The 404 vs 555 question is heavy...
Things I like about the 555 missing on the 404:
16 pads - roll - effect memory - synth (comes thru every now and then) - USB (if you're into that sort of thing) - XLR mic in
The biggest addition by far for me is the loop capture. This provides such a nice work around for only having one track to sequence on... I'm telling you. Using it to resample sequences gives you a looser feel to your timing and also lets you use your effects in some different ways... as in applying them to an entire sequence as opposed to individual samples. Heads who are good on a 404 prolly have their own work around and might say that loop cap aint shit, but I would disagree... fo real.
I think the portability of the 404 is huge... and for a lot of people, that alone would dictate having to pick just one SP.
word !
"Tellin my people we can flee to advantage but man is still a man and where he stands he'll leave damage" -Qwel
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