It only arrived this afternoon, haven't even opened it yet. If I open it now I'll never get to bed tonight so I'll open it tomorrow!
Yeah, totally non-traditional keys but on this synth that's actually one of the things that attracted me to it. It's more a versatile sound design tool ideal for sampling, and those keys along with the touch strip allow for some neat performance goodness while being sampled.
I know I'll be happy with it before I even open it, and to be honest, if the 404MKII had been announced earlier, I wouldn't have even bothered looking at any other synth, because pairing the MicroFreak up with the 404MKII is the perfect duo for a non key-based workflow. I already pointed out the verasatility of the MicroFreak, and it having no built-in effects is a bonus when paired up with the effects of a 404MKII. But last night I realised yet another thing that makes them the perfect pair.
The audio out in the MicroFreak is mono, and that means that rather than use up the inputs on the rear of the 404MKII, I could plug it in via the front input and get access to the extra Input Effects. Another benefit is that it leaves the rear stereo inputs and outputs available to connect my Marantz SD-60 without having to remove the MicroFreak - I can leave both connected permanently without needing a mixer.
I seriously cannot wait to hear the MicroFreak piped through the 404MKII. The versatility of the 404MKII as a creative sampler/resampler/recorder along with the versatility of the MicroFreak as a synth is going to be pretty epic in my book, and both are compact enough you can sit them side by side and sort of slouch over them, relax.
My finalised gear list then is as follows:
- Roland SP-404MKII (Ready to buy)
- Arturia MicroFreak (Already own)
- Marantz SD-60 (Already own)
- Beyerdynamic DT770 PRO 80ohm (Already own)
Extra cool is I'm left over with just enough cash to get the following too:
- Panasonic Lumix FZ330 (Ready to buy)
- Tascam DR-40X (Ready to buy)
Even more cool is that the Tascam DR-40X will serve two purposes. It will act as a field recorder for capturing sounds I can bring back to my SP, but it will also be used as a professional recorder that attaches to the Hot-Shoe on the FZ330.
So there's only six pieces of gear there in total, and considering those six pieces include music making, film making, professional quality cassette production, monitoring and even field recording equipment, I think I've made a whole bunch of right choices there. Everything in that list is very good at what it does, even down to the field recorder which allows you to put your headphones on and adjust the angle of the microphones until it matches the stereo field of your ears perfectly.
Back to the MicroFreak though, pretty sure I'm going to wax lyrical about that, although I'm not in a position to even check the CV functionality I'm afraid. I literally have no other gear, no modular or anything like that. All sound design will be done on the MicroFreak, that's why I chose it, versatility. And whenever I want to get really fancy in a sample-like way, I intend to layer multiple samples from the MicroFreak using the 404MKII to basically give me an endless pallette of sound, effects, and polyphony.
It's been a long time coming and a lot of hardship saving for it, but I'm totally hyped bro
