Yo it’s got nothing to do with the gear and everything to do about vision. Samplers, synths, computers, and other shit are just tools.
I get that there’s a “fun” aspect in creating limitations or just focusing on using specific tools, but if someone is paying you to produce something under a timeline … it’s all about results. And as a pro, clients don’t give a fuck what you use as long as you get shit done per the agreement. You can wow them with gear but actual fast results gets you paid.
If I hire a carpenter to build me a shed, he can use only a screwdriver if he wanted to, but if it’s gonna take them months to build that shit I’d rather hire someone else.
At the end of the day it’s really about understanding what workflow yields the best results and that’s a very personal endeavor. Everyone will have diff methods and no point in “debating” or convincing people otherwise.
So yes, I have a shit ton of gear neatly stored on shelves and boxes like a toolshed. Depending on what I need for a project, I’ll take them off the shelf and plug them in one by one. This process makes my workflow very intentional. I do enjoy experimenting and having happy accidents but I’d rather build the skills and knowledge on knowing my gear so I can keep on cranking out whatever is asked of me very purposefully and efficiently.
Also the MODx and other keyboard workstations these days are the opposite of limitations lol. Those machines are so beast and essentially a full fledged DAW and midi controller all in one piece. Its silly to refer those things as “analog”. They are no less digital than a computer, daw, and midi keyboard. If you can’t make music on one of those …..
Also DAWs aren’t just used for producing. What about tracking, mixing, and mastering? I guess you could go to a studio and track it out but if you do everything in-house you really don’t have much of a choice in-place of a computer unless you have lots of resources to blow on a big mixing desk and a nice chain of signal processors.
So yeah… limitations are fun only if you have no limitations set on the end product by someone else. I feel like the sooner artists, of any type, see gear as just tools and not a way of life… the more productive and effective they will be.[/quote]
When I feel inspired I grab my gear, set it up, and see what I come up with. When I’m hanging with friends, relaxing after work, or just feel more like watching YouTube or a DVD, then my gear can sit untouched for a minute. It just takes me awhile to get the ideas. But I always noticed I can solve a problem with one thing in my setup, and come to find there will be something missing or needed later. Anything to a bigger mixer with more channels, or perhaps some box of sounds I might decide I need. Like you said, they’re tools for the job. But I’m not in any recording contract. I’ve never posted a beat here, for I lack a device to get it here. (A computer!, I just use my iPhone lately). I’ve got ideas for gear I’d be able to utilize if I could go out & buy it. But I’m not complaining by any means. It’s just a hobby I spend money on, but I’m not really looking to make my money back from it. I don’t sing other than karaoke once in a blue moon, I don’t have a friend I invite over to jam with, and I don’t have a wife & kids to support, so it’s probably why I just make my music in my own little bubble. But I just like sounds and shaping them. I’m gonna invest in more modular gear hopefully next year and see where that leads me. Probably with a rats nest of wires & a modular beast of a synth that makes demonic fart noises for all I care. But when you find by connecting it altogether I can play with all my gear I got unless I sell it. I think I used to go through gear more rapidly years ago, buy some, play with it, and hard times hit and it had to go. And some of it I went & picked up again, but not much I sold and didn’t feel upset I let it go. (An Akai MPC1k & a Yamaha SU200 that just made me mad)
I look at Native Instruments Maschine, and I know it’s powerful, but I’d never get it because it requires a DAW. If it ever becomes a stand alone device, THEN I’d at least be willing to look into it. It’s just not the method I care for. VST softsynths Ive used in my past I don’t own now. They were fun, but missing something. Something I could shape with my hands rather than a mouse. Less messy as far as power/audio/midi cables perhaps, but DAWS just frustrated me when the computer was too slow to run something.
So if people told me I have GAS, they’re probably right, but I don’t care. It makes me happy.