SP 606 & Turntable
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Acrobatics 1on1
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SP 606 & Turntable
Well, I recently inherited a collection of old LP's, and got an idea to buy a turntable and make some samples. Can I connect a turntable directly to the SP 606 and just sample, or do I need a mixer, preamp, and who knows what else, to realize my LP-samples ambition? 
a mixer helps, and the mixer ought to have a pre-amp in it anyway
if you sample directly out of the turntable it can be too loud/quiet and you don't want to 'mix' the sound within your SP
also, if you run it through a mixer you can EQ it too
that said, there's nothing to stop you plugging the turntable right into the 606 and having a go.
but even the cheapest DJ mixer will help
if you sample directly out of the turntable it can be too loud/quiet and you don't want to 'mix' the sound within your SP
also, if you run it through a mixer you can EQ it too
that said, there's nothing to stop you plugging the turntable right into the 606 and having a go.
but even the cheapest DJ mixer will help
kill your darlings
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Acrobatics 1on1
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I usually use software for mixing;
Is this combination any good: turntables plugged directly into sp, LP samples chopped on sp, sp connected to pc and various software programs for sequencing, mixing?
Do I need any special cables for turntables, or special turntables itself for connection to sp 606?
Is this combination any good: turntables plugged directly into sp, LP samples chopped on sp, sp connected to pc and various software programs for sequencing, mixing?
Do I need any special cables for turntables, or special turntables itself for connection to sp 606?
TT & SP
Unless U DJ try a TT w/ line level outs, or better yet a SPDIF out (Stanton & Numark make some). Then you can just have that direct to the SP keeping your signal path nice. Even get get separate 'sampling' & listening needles to be extra thorough!
This Stanton is hot if you're gwop dropping:
http://www.musiciansfriend.com/product/ ... sku=801078
It has removable RCA cables (line outs/switchable to phono) and a SPDIF out. Meaning you can get a long SPDIF cable and not be tethered to your SP by a shortass cable all the time-
The digital can be low sometime, but clean .I find using the Islolater with one of the Mastering presets is an awesome way to boost whatever come out of the 606.
This Stanton is hot if you're gwop dropping:
http://www.musiciansfriend.com/product/ ... sku=801078
It has removable RCA cables (line outs/switchable to phono) and a SPDIF out. Meaning you can get a long SPDIF cable and not be tethered to your SP by a shortass cable all the time-
The digital can be low sometime, but clean .I find using the Islolater with one of the Mastering presets is an awesome way to boost whatever come out of the 606.
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soundexp334
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everything makes samples sound crappy if you change the bpm too much. The sp is nowhere near as good at this as Abelton/Acid though, so I do get what you mean
There are actually uses for that timestretch though - what sounds crappy on its own can come across as crunchy/lo fi in the mix, which can be a good thing.
There are actually uses for that timestretch though - what sounds crappy on its own can come across as crunchy/lo fi in the mix, which can be a good thing.
Warm bourbon makes you crazy
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soundexp334
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soundexp334
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That's not always a viable option though, as pitching literally changes the pitch (and therefore the tune) of the sound. That's why timestretch was invented, as for all its flaws, it has a lot of usefulness too. Both methods have their time/place - and it's good to have access to both on the 606!
Warm bourbon makes you crazy
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soundexp334
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Acrobatics 1on1
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I've been thinking about putting together a 'manual' for p606, since it seems I'm one of about three people in the world who know how yo use it!
Last edited by 606man on Thu Feb 21, 2008 10:51 pm, edited 1 time in total.
Warm bourbon makes you crazy
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soundexp334
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