SOME QUESTIONS ABOUT DRUMS
Moderator: TGN
SOME QUESTIONS ABOUT DRUMS
hi guys, i've got some questions about drums editing into the SP 404.
how do you edit your drums into the SP 404??? what are your favourite effects in drums editing process?
i work with one shot drums sounds, kicks, snares, hits and hats... for the editing process i use only the Eq and the Vinil sim comp. for kicks and snares and reverb for snares and hits.
i read that the SP can't import short .wav files...can the SP 404 import kicks and snares one shot samples?
Piss from Italy
Andrea "Antee" Evilbeatz prod.
how do you edit your drums into the SP 404??? what are your favourite effects in drums editing process?
i work with one shot drums sounds, kicks, snares, hits and hats... for the editing process i use only the Eq and the Vinil sim comp. for kicks and snares and reverb for snares and hits.
i read that the SP can't import short .wav files...can the SP 404 import kicks and snares one shot samples?
Piss from Italy
Andrea "Antee" Evilbeatz prod.
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balazs
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Re: SOME QUESTIONS ABOUT DRUMS
Antee wrote:Piss from Italy
no thanks- allready got some

how do you edit your drums into the SP 404??? what are your favourite effects in drums editing process?
gated reverb, filter+drive, chorus, layering compressed and distorted drums. too many to name. join the battles and find out how to take drum sounds from almost anything. just gotta put in a lot of time and practice.
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Dj Frantic
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I find breaks on records and chop em to get the individual notes. Then I usually add Vinyl sim comp or regular comp(<for stupidly hard kicks) Some EQ and maybe reverb if it needs it.
"Tellin my people we can flee to advantage but man is still a man and where he stands he'll leave damage" -Qwel
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- Euclid Ov Oåklånd
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another scenario
I for instance borrowed a full drum set. Sampled 3-5 hits of each piece onto a basic (magix) recording program. I went thru, picked out the hits I liked, chopped'em up, cleaned it up IN the recording program. I then saved each one individually as a wav file. Loaded all of them up (like 36+) onto a flash, threw em in some banks on my SP-404. They were all one-shots, I had no problem with any of them being 'too short'. Then on the SP I resample or whatever to switch'em up. It was a bit time consuming, but my hits were smooth and clean.
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I am in control of the drum machine.......(Druqks)
- Euclid Ov Oåklånd
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Dj Frantic
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ya, effect 12 is tricky but usefull for making those super hard drums. You lose some of the natural sound but its cool on certain things. Basically, the SUS knob is sustain. Thats how long the compression holds the sound once the attack kicks in. The ATT (or is it ATK ?) is how quickly the compression responds to the input sound(s). And LVL is just the output level. Im not assuming you dont know these things, just writing them for other and in case u dont
but experiment with it and it can be usefull.
"Tellin my people we can flee to advantage but man is still a man and where he stands he'll leave damage" -Qwel
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mostblunted
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tnx man, cuz dont know these things
i'll try to work with the effect...big props for ya beats...sick shit...i love your bassline, what do you use? samples notes at different pitch? the pitch in the SP 404 sucks...i use Acid Pro 6.0 for pitching samples.
Dr.Sample ya beats are sick too...grimy dirty sound.
Dr.Sample ya beats are sick too...grimy dirty sound.
- Euclid Ov Oåklånd
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If you grab samples from vinyl you get the best of both worlds. They have already been produced ( meaning they have been recorded and mastered to the best ability of the producer at that time ) and you get the sound of vinyl so i try to grab as many drums as i can from records. As for processing them in the sp i think it is important to get the very best signal into the sp ( right before it clips ) and then a touch of compression if needed but if you get great drums you shouldnt have to do much besides record , layer repeat.
