I'd rather make music that 200 people (if you round up) get a chance to hear and like (and I enjoy making), than for 20,000+ people making music that I hate. Obviously that isn't a profitable business model, but at least I am having fun on a regular basis...i already have a job that is a "job". Consequently, pretty much my whole family doesn't get it, and emcees I used to work with are not as on board to get more experimental with it. Ah well...
I'd also like to say that there are some dudes on here that have posted albums that the post itself maybe only had 100 views or less, of which I have listened to more than most large scale stuff that has come out this year. I won't make you rich, but just know you got a dude listening to your stuff, nodding their head with a smile on their face...and nobody had to tell me it was cool for me to know it.
Feel free to chime in, if you feel like you are in the same boat.
Making weird beats is a lonely road, but its worth it.
Moderator: TGN
-
vingthorthehurler
- Member
- Posts: 729
- Joined: Fri Feb 12, 2010 8:18 pm
- Location: Elizabeth, New Jersey
- Contact:
Re: Making weird beats is a lonely road, but its worth it.
I feel you homie, I am in the same boat.
Peace and respect.
Peace and respect.
Re: Making weird beats is a lonely road, but its worth it.
the top is to get paid for doing what you like but it's a long road and that happens to only a few so doing what you like is the best option .
Re: Making weird beats is a lonely road, but its worth it.
aren't there any labels publishing the "out there" stuff? I mean more out there than your "standard" future beat label?
Last edited by YellowT on Sat Mar 17, 2012 4:17 pm, edited 1 time in total.
Re: Making weird beats is a lonely road, but its worth it.
Leptic P wrote:the top is to get paid for doing what you like but it's a long road and that happens to only a few so doing what you like is the best option .
True!
