THE GASMASK TORTURES

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Ill Green
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Re: THE GASMASK TORTURES

Post by Ill Green »

boombapp28 wrote:Ill Greezy, I could've sworn you did this on the MS-1. It at least sounded like you did this on the MS. Excellent work!!


Word, the MV has the same converters as the MS which not too many people know. The MS-1 was considered a high-end piece at the time and were going for $599 USD brand new. Even the flash memory cards were like $299 USD each. I wouldn't have gotten the MV if my sound couldn't transfer over. Its a very grimey machine, but also can give a distinct clean sound too if you want. It all depends on what sounds you sample and how you eq it in.

Thanks again fam!!!
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elhuana
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Re: THE GASMASK TORTURES

Post by elhuana »

Its finally out! I been waiting for this one for a minute now and I must say its as cool as the previous one Ill, thats my shit right there!!
Boggy Green and The Way of the Dragon are my favorites

Peace G
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dinner-for-two
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Re: THE GASMASK TORTURES

Post by dinner-for-two »

fire!!
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The ArKyve
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Re: THE GASMASK TORTURES

Post by The ArKyve »

8) grimey, takes me back to the 90's
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IIIII
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Re: THE GASMASK TORTURES

Post by IIIII »

sounds murky as hell bro
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mainiakist
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Re: THE GASMASK TORTURES

Post by mainiakist »

yo! i still have the mpc1000, sp 404, vs880ex, s900, fl studio, and i just added a korg rythmn 55 drum machine hahaha..unfortunately dont have the sick reel to reel i had...
lookin for other gritty folk to work with....
mpc1000, sp 404, akai s900, roland vs 880ex, pioneer rt 707, akai gx m50
fl studio producer edition,and lots of vinyl, i mean LOTS
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http://www.soundclick.com/mainiakist[/color]
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Ill Green
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Re: THE GASMASK TORTURES

Post by Ill Green »

elhuana wrote:Its finally out! I been waiting for this one for a minute now and I must say its as cool as the previous one Ill, thats my shit right there!!
Boggy Green and The Way of the Dragon are my favorites

Peace G


Thanks Elhuana!!!
I tried to expand it to reach 40min and this project was 4.2G on my hard drive but after all the editing it wounded up to be 25min like the last album. Fate I guess. Glad you liked it.

kang young wrote:fire!!


Thanks Kang, I must burn!!!

The ArKyve wrote:8) grimey, takes me back to the 90's


It feels that way, but really I've been a lost soul roaming the limits of limbo and only remember 1996. Thanks for peeping the joints Ark!!!

IIIII wrote:sounds murky as hell bro


Gotta keep it soggy bottom! Thanks bro!!!

mainiakist wrote:yo! i still have the mpc1000, sp 404, vs880ex, s900, fl studio, and i just added a korg rythmn 55 drum machine hahaha..unfortunately dont have the sick reel to reel i had...


Oh shit, you still got the 1000, thats dope man. Reel to reel is the bomb, can't find that sound anywhere but at least having that VS will craft a dope sound, that I know. I still got my MV and gotten so deep with it that I don't think I'll look at another piece of gear for a long time. Peace bro.
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PHeMoX
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Re: THE GASMASK TORTURES

Post by PHeMoX »

Ill Green wrote:I still got my MV and gotten so deep with it that I don't think I'll look at another piece of gear for a long time. Peace bro.


Hahah, that's awesome. Same here man, same here. :D

I believe I know exactly what you mean, the work-flow just works for me. 8)
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cannot be saved."
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blavatsky
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Re: THE GASMASK TORTURES

Post by blavatsky »

Its a very grimey machine, but also can give a distinct clean sound too if you want. It all depends on what sounds you sample and how you eq it in.


Got any tips you care to share about MV grit?

I've gotten some good dirt on it but i'm still pretty new to the machine in some respects - love the lofi processor, compression pumped way up, and for spacey stuff its hard to beat the RSS delay/ Tape Echo stuff
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Probotector
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Re: THE GASMASK TORTURES

Post by Probotector »

That shi* is dope! I like those dirty beats. Your flow remind me of old Lo-Deck tracks. My favourite is "No Grenade", this beat is unbelievable.
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Ill Green
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Re: THE GASMASK TORTURES

Post by Ill Green »

blavatsky wrote:
Its a very grimey machine, but also can give a distinct clean sound too if you want. It all depends on what sounds you sample and how you eq it in.


Got any tips you care to share about MV grit?

I've gotten some good dirt on it but i'm still pretty new to the machine in some respects - love the lofi processor, compression pumped way up, and for spacey stuff its hard to beat the RSS delay/ Tape Echo stuff

OLD SAMPLER effect is the stuff. It makes basslines silky smooth than the Isolator effect (I prefer the SP isolator better).

My method is just totally stripping the sonic frequencies in 3 parts; Low, Mid and High. And then create a composition with them...yeah, I'll explain. Take No Grenade for example. It was just a 5 second sample and it was in mono. With OLD SAMPLER, I stripped off the bassline and put it to a pad, then with Isolator, I stripped off the mids which was the organ piece and put that on a second pad and the highs which contained the guitar and cymbals crashing and put that to a third pad. Now I have control over a 5 second mono sample and can turn the bass on or off etc. This trick is really dope with stereo samples because sometimes the guitar is on the right channel and the piano on the left so I'll be stripping a 5 second sample for days. Then when I mix it down, I add just a pinch of boost to the low, mids and highs. Thats the Ill Green way.
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Ill Green
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Re: THE GASMASK TORTURES

Post by Ill Green »

Dirty rotten and shameless bump for those that missed it. :mrgreen:
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EndorShores
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Re: THE GASMASK TORTURES

Post by EndorShores »

Favorite Hip-Hop album of the year so far. The flow on No Grenade is insane :mrgreen: Mechanical people was another fav and that last joint, but these are all gems. Crazy talent, keep it murky. Much respect Ill Green.
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Heat Vision
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Re: THE GASMASK TORTURES

Post by Heat Vision »

damn @

3rd rail of the mind. straight reminds me of some method man shit. dope fuckin track

some proper production and raps on this shit shun. lovin that ny vibe 8)
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shmedy
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Re: THE GASMASK TORTURES

Post by shmedy »

I always enjoy your shit Illy. So dope.
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