SP-FORUMS

scarce luck rolling through the humid lanes
of this city of arcane brains and all-the-sames
in a feverish glimpse see the world laid plain
insane laden with pain but won't forget the aim

QuiVive wrote:$400 japanese knockoff. Compared it to the real thing one time met someone who had the exact model, played the same, sounded the same, but mine was about a pound lighter.

ha nice

yeah I'm not exactly sure what the difference is, but the isolator seems to be more drastic so I'm thinking that on the isolator each band (i.e. knob) has a broader 'Q' (e.g. bandwidth). So essentially the frequency spectrum (20hz to 20khz) is roughly cut into thirds and each knob controls its ...

Oh and don't forget to compress your shit. That is a biggie.

I just listened to that Suff Daddy track.


The snare is HPF'd (hi-pass filtered) so as not to have any unnecessary low end. Same with that metallic hi-hat. And the kick doesn't have alot of hi-end.

Unfortunately, the SP's don't have straight-up HPF or LPF, so you can't get very surgical with EQ ...

man, nice Ric bass

how much that run you?

Hmm.

Try recording the sample dry, and then resampling with vinyl sim.

you could always speed up the BPM of the sample so it cuts off faster.

And if it stutters, you can use the isolator to remove some high end (which is where the stutter sounds usually are).

Om_Audio wrote:

L0HEESH wrote:-24 to +24

Cool- a full octave each way is decent- thanks.
C

Two octaves I think.

Shit, I finally broke down and bought a new kitchen.

Even if you don't know what you are doing you can still HPF your track at 30-40hz and then make it 2db louder with a limiter.


just recently learned thisas effective, this low mid rumble is embarrasing.

mix that with ear fatigue and you got a one way ticket to bad soundville

One very helpful ...

Even if you don't know what you are doing you can still HPF your track at 30-40hz and then make it 2db louder with a limiter.

It is not known how inaudible harmonic content affects audible harmonic content.

Sound is physical energy, and regardless of whether we can hear it, the inaudible stuff interacts with the audible stuff.


That is all.