ellaguru wrote:korg have to understand now that there are lot of competitive machines in the market with implemented midi (in and out), so you can not only use the seq to drive other hardwares but also export pattern/data (on volcas this is a pain or not possible), and more voices (the LOFI has 10 in total, more than the XFM, damn)...so, they kind of opened a market side years ago, but now it should be time to move on
ps
since march 2022 Behringer had announced a series of interesting cheap mini synth/grooveboxes but until now...nothing...
https://www.youtube.com/watch?v=q6mgF6eX734
https://musictech.com/guides/buyers-gui ... %20filter.
Not a fan of those tiny Behringers to be honest, they're far too small to be enjoyable IMHO.
BTW, I was just watching some of Chris Lody's videos about the XFM and Lofi-12 and noticed that he was having to double-twist the knobs all the time, and I had a feeling that maybe the Liven gear all use 'Catch Mode' on the knobs.
Thankfully a read through the manual shows that it can be set to 'Jump' mode so that is relief. What mode was your XFM set to out of the box bruh? Seeing Chris Lody having to double twist those knobs all the time makes me think that maybe it was set to 'Latch' by default unless he knowsa bout the setting and specifically prefers that. To be honest I don't know how anyone can bear 'Latch' mode, it's really annoying and pretty much doubles the amount of wear on the pots!
The first thing I will be doing when I get one is making sure it is set to 'Jump' mode
Does look really nice though, and like you said it's a shame it cannot resample, but I'm going to be using it mainly as a chromatic sampler to pair with the SP-555 anyway (assuming the bloody thing ever arrives that is).
What I really like about it is the simplicity, and that it's built around an LED display and not a menu. I love the idea of just being able to capture a single sound and use it quickly as a polyphonic and chromatic instrument.
Crazy as it sounds I think the most vital thing he included was the ability to loop instrument samples, because that makes it viable whereas it would be as good as useless without that facility so I'm really glad he did that.
I'm assuming that in loop mode the sample will play from the very start of the sample, reach the loop end point and then jump to the loop start point and continue looping from there. I'm just a little bit worried though cause in the manual it says that switching on loop mode will loop between the loop start and loop end (which is great but there is no mention of it still starting from the very start of the sample).
You see what I'm getting at?
It's funny really, the current videos, cause the main feature of this thing is that it can actually sample, yet none of the reviews so far have been dedicated to the sampling functionality. Would love to see that, and also a deep dive into the effects so that we can hear what they sound like going from minimum to maximum effect.
Also, I wonder why he's having them manufactured in such small batches at a time? Unless perhaps he's just playing safe in case there are any hardware problems to iron out. Anyway, I don't think he needs to worry about selling this thing, I reckon it will sell like crazy!
Just think, 128 custom sample slots that each form an instrument. Man, I'll be filling that thing up with what I personally feel are my own bread and butter sounds and I will be in heaven!
It will be like having a custom Lo-Fi sound module, so all I gotta do is link that beauty up to the Roland A-49 and I'll be as happy as a pig in shit as the saying goes! And don't forget, all of that will be getting sampled into the SP-555, that's proper Lo-Fi into the SP-555, lol, it'll sound absolutely bloody killer!
BTW, here's a new video demoing some of the patterns and sounding great:
https://www.youtube.com/watch?v=kjIcNANjIZU