Sometimes I use the compression in pro tools that came with my m-audio capture interface. It sounds pretty good, but it's a bit of a hassle having to plug in the audio interface and everything just to launch pro tools.
I had the exact same problem when I first started trying to get my beats into my laptop with my MPC. The line in sounded so bad I couldn't really believe how garbage the stock soundcard for my laptop actually was. I got an m-audio interface which sounded fine for what I need to do (although very ...
This is just a thing I've always been wondering about and I'm sure it's been discussed on these forums before, but how exactly do you guys work with samples that already have noticeable percussion in it? I know everyone has had these problems, I always find a sample I want to make a beat out of but ...
When madlib was making albums, I assume his beats were taken to a professional studio to be mastered right? That's something I'm always confused about. I feel like there is some subtle stuff done after his beats get compiled that makes them sound more well rounded before they get put on wax. I'm not ...
yeah probably thinking a beat is really good then never being able to get drums to sound right with it or something, then spending 3 hours hearing the same loop and hating it. The worst thing I can do is just throw it out because sometimes I revisit stuff and I like it again.