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 Post subject: final cut pro HELP
PostPosted: Fri Mar 07, 2008 9:09 pm 
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Joined: Wed Jan 02, 2008 11:02 am
Posts: 38
Location: Saturn
below i have a take home midterm for my final cut pro class. if you know any of these answers already. please share, i'd appreciate it alot.

1. editing with final cut pro is:
a)destructive b)nondestructive

2. editing with final cut pro is:
a)linear b)nonlinear

3.images in DV are viewed as Non square Pixels:
T F

4. dropped frames can be prevented by:
a) reducing the number of real time audio tracks
b) enlarging canvas or viewer size
c) nesting tracks

5. media for FCP projects, video clips, stills, music,
etc., should be stored on your work station's boot drive
T F

6. FCP can be launched by, (check all that apply)
a)double click application in application folder
b)click once on the icon in the dock
c)double click on a FCP project file

7. the "capture now" feature of FCP is a more efficient use
of the computer's speed than the "log clip and batch
capture" features:
T F

8. the offline RT photo JP capture rate allows you to
capture 40 minutes per gigabyte instead of 5 minutes per
gigabyte at high res
T F

9. the sample rate for digital video audio is:
a)22.1khz b)48khz c)44khz

10. a remedy for time code breaks is:
a)there is none b)dubbing original tape

11. when viewing the audio portion of a clip you see a wave
form display:
T F

12. the red THROUGH EDIT INDICATOR on a clip reflects use
by the ripple tool:
T F

13. rendering converts multilayered shots and clips into
single layered (flattened) sequences
T F

14. media is online as soon as it is logged:
T F

15. with batch capture, you must capture all of the logged
clips in your browser:
T F

16. control click can access the short cut menu at various
points on the FCP interface:
T F

17. clips can be moved to the timeline by, (check all that
apply)
a)keyboard shortcut
b)edit button
c)dragging clip to timeline

18. the number of audio or video tracks can be increased or
decreased as needed:
T F

19. the import command is found in the
a)file menu b)effects menu c)tools menu

20. key frames indicate that effects parameters are
changing over time:
T F

21. ripple edit adjusts the length of one clip in a
sequence by changing the "in" or "out" point:
T F

22. a roll edit adjusts one clip's OUT point and the
adjacent clips IN point:
T F

23. a slip edit makes an adjustment to the in/out points of
one clip
T F

24. a slide edit affects three clips
T F

25. to mark an IN or OUT point on a clip, you would, (check
all that apply):
a) use the Mark in and Mark out buttons on the viewer
b) or the keyboard shortcuts, I and O


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PostPosted: Fri Mar 07, 2008 9:44 pm 
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Posts: 4586
Location: Narnia
Here's what I got got on a quick pass, I just deleted the ones I didn't answer.


1. editing with final cut pro is:
b)nondestructive

2. editing with final cut pro is:
b)nonlinear

3.images in DV are viewed as Non square Pixels:
T

4. dropped frames can be prevented by:
c) nesting tracks

5. media for FCP projects, video clips, stills, music,
etc., should be stored on your work station's boot drive
F

6. FCP can be launched by, (check all that apply)
a)double click application in application folder √
b)click once on the icon in the dock √
c)double click on a FCP project file √

7. the "capture now" feature of FCP is a more efficient use
of the computer's speed than the "log clip and batch
capture" features:
F


9. the sample rate for digital video audio is:
c)44khz

10. a remedy for time code breaks is:
b)dubbing original tape


13. rendering converts multilayered shots and clips into
single layered (flattened) sequences
T

17. clips can be moved to the timeline by, (check all that
apply)
a)keyboard shortcut √
b)edit button √
c)dragging clip to timeline √

18. the number of audio or video tracks can be increased or
decreased as needed:
T


21. ripple edit adjusts the length of one clip in a
sequence by changing the "in" or "out" point:
T

23. a slip edit makes an adjustment to the in/out points of
one clip
T


25. to mark an IN or OUT point on a clip, you would, (check
all that apply):
a) use the Mark in and Mark out buttons on the viewer √
b) or the keyboard shortcuts, I and O √

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PostPosted: Sat Mar 08, 2008 1:16 am 
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Joined: Wed Jan 02, 2008 11:02 am
Posts: 38
Location: Saturn
thanks man. i posted this on a final cut group on livejournal and they were not chill at all.


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PostPosted: Sat Mar 08, 2008 2:58 am 
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[quote="GoblinGlasses"]thanks man. i posted this on a final cut group on livejournal and they were not chill at all.[/quote]

cause we keep it "Sucka Free" around here... :wink:


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PostPosted: Sat Mar 08, 2008 3:05 am 
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Location: sactown
so how do you like it?
do you think its worth it?
i might get it...

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PostPosted: Sat Mar 08, 2008 8:10 am 
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Joined: Wed Jan 02, 2008 11:02 am
Posts: 38
Location: Saturn
xdrewx wrote:
so how do you like it?
do you think its worth it?
i might get it...


it's really nice and has a whole lot of bells and wistles. i think it all depends on what kind of person you are. meaning that if youre organized this program will work alot faster and more efficiently for you. But if youre like me, unorganized, i have my video clips scattered everywhere and final cut pro doesnt make a difference.

there was one thing i learned the other day that opened up a whole lot of creative possibilities. if youre familiar with photoshop then you know that there can be separate layers to copose youre whole image. you can load these images into final cut with the information of the layers still there. an example of what you could do with this is that you could make what looks like a moving image by moving the separate layers around in final cut. or what i was thinking of was that you could save your images on photoshop with holes in them and in those holes you could add whatever video you want. so you could pretty much do some semi green/blue screen kind of stuff but with still images.

its way overpriced though.

right now, i'm looking at the roland motion dive. that thing looks too dope.


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